GS Notes

1.2.1 - Ancient India Notes 06

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Elaborate Notes

Pottery Culture of India

Pottery is a vital archaeological source for reconstructing the past, serving as a cultural and chronological marker. The techniques, materials, shapes, and decorations of pottery provide invaluable insights into the social, economic, technological, and environmental conditions of ancient societies.

  • Ochre Coloured Pottery (OCP): This pottery culture, dated roughly to c. 2000-1500 BCE, is predominantly found in the upper Gangetic valley and the Indo-Gangetic doab.

    • Context and Characteristics: OCP is a thick, wheel-made pottery with a characteristic orange to deep-red slip that often rubs off when handled, giving it an ochre-like feel. It is generally found in a rolled, water-logged condition, suggesting it might have been damaged by floods. Important sites include Atranjikhera, Lal Qila (Bulandshahr), and Saipai.
    • Cultural Association: Archaeologists like B.B. Lal have associated OCP with the late or degenerate phase of the Harappan civilization or a distinct Bronze Age culture contemporaneous with it. The discovery of copper hoards (axes, harpoons, swords) in proximity to OCP sites, known as the Copper Hoard Culture, suggests a link, though the exact relationship remains a subject of debate. Some scholars also see it as a potential archaeological correlate of the early Rigvedic people.

  • Black and Red Ware (BRW): This is not a single, monolithic culture but a pottery style that appears across a vast chronological and geographical span, from the Neolithic to the early historic period.

    • Context and Characteristics: BRW is characterized by a unique firing technique where the pot is inverted in the kiln, resulting in a black interior and a red exterior. Its forms and fabrics vary significantly by region and period.
    • Cultural Association: It is found in Neolithic sites in southern India, Chalcolithic sites like Ahar in Rajasthan, Harappan sites like Lothal in Gujarat, and is particularly prominent in the Megalithic burials of South India (c. 1000 BCE - 300 CE). Its presence across different cultures indicates the diffusion of a specific ceramic technology rather than the movement of a single group of people.

  • Painted Grey Ware (PGW): This distinctive ceramic type is a crucial marker for the Iron Age in North India, dated to c. 1200-600 BCE.

    • Context and Characteristics: PGW is a fine, high-quality, wheel-made pottery with a smooth grey surface, decorated with geometric patterns (dots, lines, circles, swastikas) in black paint. Common shapes include bowls and dishes.
    • Cultural Association: Its geographical spread across the western Gangetic plain and Ghaggar-Hakra valley corresponds with the region described in later Vedic texts. Archaeologists like B.B. Lal have famously associated PGW culture with the later Vedic or ‘Kuru-Panchala’ kingdom period. PGW sites like Hastinapura and Atranjikhera show evidence of early iron metallurgy, agriculture (rice, wheat), and domestication of horses, aligning with the societal picture of the later Vedic age.

  • Northern Black Polished Ware (NBPW): This is the hallmark pottery of the Second Urbanisation in India, dating from c. 600-200 BCE.

    • Context and Characteristics: NBPW is a luxury ware, characterized by its fine fabric and a lustrous, glossy black surface that resembles a glaze but is, in fact, a result of a highly skilled firing technique. It is considered one of the finest potteries of the ancient world.
    • Cultural Association: It is strongly associated with the rise of the Mahajanapadas, the consolidation of the Magadhan empire, and the Mauryan period. Its distribution from Taxila to Bengal and down to the Deccan indicates extensive trade networks. The deluxe nature of NBPW suggests it was used by the elite, reflecting the growing social stratification and surplus economy of the urban Iron Age.

Foreign Invasions

Following the decline of the Mauryan Empire, the north-western part of the Indian subcontinent witnessed a series of incursions by foreign powers from Central and West Asia, leading to a period of political fragmentation and intense cultural exchange.

  • Sources for Foreign Invasion:

    • Coinage: Numismatics is a primary source. Indo-Greek coins, with their realistic portraits of kings and bilingual legends (Greek and Kharoshthi/Brahmi), provide names of rulers and their chronological sequence. Kushan gold coins indicate vast economic prosperity. The restriking of Nahapana’s coins by Gautamiputra Satakarni is a tangible proof of Satavahana victory.
    • Inscriptions: The Heliodorus pillar inscription at Besnagar (Vidisha) confirms diplomatic relations between Indo-Greeks and Shungas and provides evidence for the early spread of Bhagavatism. The Junagadh inscription of Rudradaman I is a landmark in the history of Sanskrit.
    • Literary Sources: Buddhist texts like the Milindapanho offer philosophical and historical insights. Puranas provide dynastic lists, albeit sometimes confused. The Chinese historical text Chien Han Shu (History of the Former Han) by Ban Gu (c. 1st century CE) is crucial for understanding the movement of the Yuezhi tribe (Kushans) in Central Asia.

  • Indo-Greek Kingdom (c. 200 BCE - 10 CE):

    • Origins and Rulers: Descendants of the Greco-Bactrian kingdom, they were the first to establish kingdoms in northern and north-western India. In Indian texts, they are referred to as ‘Yavanas’. While Apollodotus I is considered one of the earliest to rule exclusively in India, the most famous rulers were Demetrius and Menander (Milinda).
    • Menander and Buddhism: Menander I Soter (reigned c. 165/155 – 130 BCE) ruled a vast empire from his capital at Sagala (modern Sialkot). His profound discussions on Buddhist philosophy with the sage Nagasena are immortalized in the Pali text Milindapanho (‘The Questions of Milinda’), which culminates in his conversion to Buddhism.
    • Diplomatic and Religious Interaction: A significant example of cultural interaction is the Heliodorus pillar. Heliodorus, an ambassador of the Indo-Greek king Antialcidas of Taxila, visited the court of the Shunga king Bhagabhadra. At Vidisha (Madhya Pradesh), he erected a pillar (Garuda Dhvaja) dedicated to Vasudeva (Krishna), calling himself a ‘Bhagavata’. This inscription is one of the earliest epigraphic evidences of the development of the Bhagavata cult.
    • Significance: The Indo-Greeks were the first rulers in India to issue coins that can be definitively attributed to specific kings, featuring realistic portraiture. They also introduced gold coinage to the subcontinent. Their most lasting impact was in art, where Hellenistic realism merged with Indian themes to create the Gandhara School of Art.

  • Shakas (Indo-Scythians) (c. 1st century BCE - 4th century CE):

    • Origins and Expansion: The Shakas were nomadic pastoral tribes from Central Asia who, displaced by the Yuezhi, moved into Bactria and then India, overthrowing the Indo-Greeks. They established multiple satrapies (provinces), with important centres at Taxila, Mathura, and Ujjain. The earliest known king is Maues (c. 90-60 BCE).
    • Western Kshatrapas and Rudradaman I: The most enduring branch was the Western Kshatrapas of Gujarat. Their greatest ruler was Rudradaman I (reigned c. 130–150 CE). His achievements are recorded in the Junagadh rock inscription (c. 150 CE), the first long inscription composed in chaste Sanskrit. It details his military victories, including against the Satavahanas, and his public works, most notably the repair of the Sudarshana Lake, which was originally commissioned by Chandragupta Maurya’s governor Pushyagupta.
    • Vikram Samvat: Indian tradition credits a legendary king, Vikramaditya of Ujjain, with defeating the Shakas in 57 BCE and establishing an era in his name, the Vikram Samvat. While his historicity is debated, the tradition reflects a strong native resistance to Shaka rule.
    • Decline: The Shakas in the north were supplanted by the Parthians and later the Kushans. The Western Kshatrapas, despite conflicts with the Satavahanas, ruled for nearly four centuries until their final defeat by the Gupta emperor Chandragupta II around 409 CE.

  • Parthians (Indo-Parthians) (c. 1st century BCE - 1st century CE):

    • Rule: Originating from Parthia (modern Iran), they followed the Shakas and ruled over a small part of north-western India. The most famous ruler was Gondophares (reigned c. 20–46 CE), whose rule is confirmed by the Takht-i-Bahi inscription.
    • Christian Tradition: Gondophares is famously associated with the apocryphal Christian text, Acts of Thomas, which narrates the journey of St. Thomas the Apostle to his court for the propagation of Christianity. This marks the traditional beginning of Christianity in India.

Kushans (c. 1st - 3rd century CE)

The Kushans, a branch of the Yuezhi tribe, created a vast empire stretching from Central Asia to North India, playing a pivotal role in the economic and cultural history of the subcontinent.

  • Origins and Founders: Displaced from China’s borders, the Yuezhi confederacy migrated west. One of its five clans, the Kushans (Guishuang), gained prominence. Kujula Kadphises (c. 30-80 CE) united the clans and established the Kushan empire. His successor, Vima Kadphises, expanded into India and introduced gold coinage on a large scale.
  • Kanishka (reigned c. 127–150 CE):
    • Empire and Capitals: The greatest Kushan ruler, Kanishka, presided over a vast, prosperous empire. His main capital was Purushpura (Peshawar), with Mathura serving as a significant secondary capital. His reign is often associated with the start of the Shaka Era in 78 CE, marking his accession.
    • Patronage of Buddhism: Kanishka was a great patron of Mahayana Buddhism. He convened the Fourth Buddhist Council in Kundalavana, Kashmir, under the presidency of Vasumitra. This council is significant for finalizing the doctrines of the Sarvastivada school and for composing extensive commentaries (Mahavibhasa).
    • Court Scholars: His court was a hub of intellectual activity, graced by scholars like the poet and philosopher Ashvaghosha (author of Buddhacharita), the Buddhist philosopher Vasumitra, the founder of the Madhyamaka school of philosophy Nagarjuna, and the celebrated physician Charaka (author of Charaka Samhita).
  • Significance of the Kushana Empire:
    • Economic Prosperity: The Kushans controlled a crucial section of the Silk Route, connecting the Roman Empire in the west with Han China in the east. They levied taxes on this trade, which brought immense wealth, reflected in their issuance of high-purity gold coins, often imitating Roman designs.
    • Cultural Flourishing: The period saw the zenith of the Gandhara and Mathura schools of art. The Gandhara school, with its Greco-Roman influences, produced some of the first anthropomorphic images of the Buddha. The Mathura school, rooted in indigenous traditions, also created iconic images of Buddhist, Jaina, and Brahmanical deities. Sanskrit literature flourished, with Ashvaghosha being hailed as the first Sanskrit dramatist.
    • Cultural Synthesis and Legacy: The Kushans adopted Indian titles like Maharaja and patronized Indian religions. Their period represents a remarkable cultural synthesis. Their attire, including trousers, long coats (sherwani), and heavy boots, introduced new sartorial styles to India. Many historians, like A.L. Basham, view the Kushan period as a vital “forerunner” to the Gupta “Golden Age,” laying the political, economic, and cultural foundations upon which the Guptas built.
  • Decline: After Kanishka, rulers like Huvishka and Vasudeva I maintained the empire, but it began to disintegrate by the early 3rd century CE due to internal weaknesses and the rise of the Sassanian Empire in Persia.

Satavahana (c. 1st century BCE - 3rd century CE)

The Satavahanas were the first major indigenous dynasty to build an empire in the Deccan, acting as a crucial bridge between the North and South.

  • Sources and Identity: Their history is reconstructed from Puranic lists, which call them ‘Andhras’, and their own inscriptions (e.g., at Nasik, Nanaghat, Karle), which use the name ‘Satavahana’. The relationship between these two identities is debated; a common view holds that they were the Satavahana dynasty who originated in Maharashtra and later extended their rule to the Andhra region.
  • Early Rulers: The founder of the dynasty was Simuka. The third king, Satakarni I, was a powerful ruler who performed Vedic sacrifices (Ashvamedha) and took the title ‘Lord of Dakshinapatha’ (Master of the Deccan). His achievements are recorded in the Nanaghat inscription of his wife, Naganika. He clashed with King Kharavela of Kalinga, as mentioned in the Hathigumpha inscription.
  • Conflict with Shakas: The Satavahanas were engaged in a protracted struggle with the Shaka Western Kshatrapas for control over the fertile regions of Malwa and Gujarat and, more importantly, the lucrative western sea ports like Sopara, Kalyan, and Bharuch (Barygaza).
  • Gautamiputra Satakarni (reigned c. 106–130 CE):
    • Achievements: Considered the greatest Satavahana ruler, he revived the dynasty’s fortunes. His military exploits are detailed in the Nasik Prashasti, an inscription issued by his mother, Gautami Balasri. He is credited with defeating the Shakas, Yavanas (Greeks), and Pahlavas (Parthians) and destroying the power of the Kshaharata dynasty of Shakas, led by Nahapana. A large hoard of Nahapana’s silver coins found near Nasik, restruck with Gautamiputra’s own symbols, serves as powerful evidence of his victory.
    • Titles: He assumed titles like Ekabrahmana (the peerless Brahmana) and Kshatriya-dapa-mana-mardana (destroyer of the pride of Kshatriyas), indicating his efforts to uphold the Brahmanical social order against foreign rulers.

Prelims Pointers

  • Ochre Coloured Pottery (OCP): Associated with the Bronze Age (c. 2000-1500 BCE) in the Indo-Gangetic doab. Linked to the Copper Hoard Culture.
  • Painted Grey Ware (PGW): Hallmark of the Iron Age and the Later Vedic Period (c. 1200-600 BCE). Found in the Western Gangetic plain.
  • Northern Black Polished Ware (NBPW): Deluxe pottery of the Second Urbanisation (c. 600-200 BCE), associated with Mahajanapadas and the Mauryan Empire.
  • Yavana: The Indian term for people of Greek origin, later used more broadly for foreigners.
  • Indo-Greeks: First rulers to issue gold coins in India and coins with portraits of kings.
  • Milindapanho: A Pali text recording the philosophical dialogue between the Indo-Greek king Menander (Milinda) and the Buddhist sage Nagasena.
  • Heliodorus Pillar: Located at Besnagar (Vidisha, MP). Erected by Heliodorus, an ambassador of Indo-Greek king Antialcidas, in honour of Vasudeva (Krishna).
  • Shakas: Also known as Indo-Scythians. Important rulers include Maues and Rudradaman I.
  • Rudradaman I: Western Kshatrapa king. His achievements are in the Junagadh rock inscription.
  • Junagadh Inscription: First long inscription in chaste Sanskrit. Records the repair of the Sudarshana Lake.
  • Vikram Samvat: An Indian calendar era beginning in 57 BCE.
  • Shaka Samvat: An Indian calendar era beginning in 78 CE. Marks the accession of Kushan king Kanishka.
  • Gondophares: The most famous Indo-Parthian king, associated with the visit of St. Thomas.
  • Kushans: A branch of the Yuezhi tribe. The empire was founded by Kujula Kadphises.
  • Kanishka: Greatest Kushan ruler. Convened the 4th Buddhist Council in Kashmir. His capitals were Purushpura (Peshawar) and Mathura.
  • Scholars in Kanishka’s Court: Ashvaghosha, Vasumitra, Nagarjuna, Charaka.
  • Buddhacharita: A biography of the Buddha in Sanskrit epic poetry, written by Ashvaghosha.
  • Gandhara and Mathura Schools of Art: Flourished under the Kushans.
  • Satavahanas: Also known as Andhras in the Puranas. The founder was Simuka.
  • Gautamiputra Satakarni: Greatest Satavahana ruler. Defeated the Shaka ruler Nahapana.
  • Nasik Prashasti: An inscription by Gautami Balasri that praises the achievements of her son, Gautamiputra Satakarni.
  • Dakshinapatha: A term for the great southern trade route and the region of the Deccan. Satakarni I was called ‘Lord of Dakshinapatha’.

Mains Insights

  1. Pottery as a Key to the Past: The transition of pottery types from OCP/BRW to PGW and then to NBPW is not merely a change in ceramics but a reflection of deeper societal transformations.

    • Cause-Effect: The shift from PGW (associated with rural, iron-age settlements) to the deluxe, standardized NBPW signifies the emergence of a surplus economy, social stratification (elite vs. commoner), long-distance trade, and the administrative consolidation under the Mahajanapadas and Mauryas. This archaeological evidence corroborates literary sources about the Second Urbanisation.

  2. Post-Mauryan Period: An Age of Synthesis, Not Anarchy: The period of “foreign invasions” should not be viewed solely as a dark age of political disintegration.

    • Analytical Perspective: It was a dynamic period of cultural syncretism. The Indo-Greeks, Shakas, and Kushans, while being invaders, quickly assimilated into the Indian cultural milieu. Heliodorus adopting Bhagavatism, Menander and Kanishka patronizing Buddhism, and Rudradaman patronizing Sanskrit are prime examples. They introduced new elements in coinage, art (Gandhara school), and administration (satrapy system), which enriched Indian civilization.

  3. Economic Drivers of Political Conflict: The conflicts during this era, particularly between the Satavahanas and the Western Kshatrapas, were fundamentally driven by economic motives.

    • Geo-economics: The control over the western sea ports (Bharuch, Sopara, Kalyan) was critical as they were the gateways for the lucrative trade with the Roman Empire. The struggle was not just for land but for control over trade routes and customs revenue, highlighting the importance of maritime trade in shaping the political landscape of ancient India.

  4. The Kushan Empire as a Precursor to the Gupta “Golden Age”: There is a strong historiographical argument that the Kushan period laid the essential groundwork for the subsequent Gupta efflorescence.

    • Forerunner Thesis: The Kushans established a large, stable empire, fostered immense economic prosperity through the Silk Route trade (leading to a massive influx of gold), patronized Sanskrit literature (Ashvaghosha), and oversaw the maturation of key artistic styles (Gandhara, Mathura). The Guptas inherited this rich economic and cultural legacy, allowing them to build upon an already sophisticated foundation. The “Golden Age” was not an isolated phenomenon but the culmination of preceding developments.

  5. Centre-Periphery Dynamics: The rise of powers like the Satavahanas in the Deccan and the Kushans in the north-west illustrates a shift from the Mauryan model of a single, centralized Gangetic-plain-based empire.

    • Regionalism: This period demonstrates the emergence of strong, independent regional powers. The Satavahanas created a distinct Deccani political and cultural identity, acting as a bridge for the transmission of northern ideas (Brahmanism, Buddhism) to the south, while also fostering their own unique traditions. This highlights the multi-centric nature of Indian polity and culture.

Previous Year Questions

Prelims

  1. With reference to the cultural history of India, the term ‘Panchayatan’ refers to (2021) (a) an assembly of village elders (b) a religious sect (c) a style of temple construction (d) an administrative functionary

    Answer: (c) a style of temple construction (Note: While not directly from the provided summary, this question tests knowledge of cultural terms from the same historical period, as early temple construction began in the Gupta era, which followed the period discussed.)

  2. Which of the following phrases defines the nature of the ‘Hundi’ generally referred to in the sources of the post-Harsha period? (2020) (a) An advisory issued by the king to his subordinates (b) A diary to be maintained for daily accounts (c) A bill of exchange (d) An order from the feudal lord to his subordinates

    Answer: (c) A bill of exchange (Note: Hundi systems were integral to the trade networks that flourished during and after the Kushan period, highlighting economic history.)

  3. With reference to the history of India, consider the following pairs: (2020)

    1. Aurang - In-charge of treasury of the State
    2. Banian - Indian agent of the East India Company
    3. Mirasidar - Designated revenue payer to the State Which of the pairs given above is/are correctly matched? (a) 1 and 2 only (b) 2 and 3 only (c) 3 only (d) 1, 2 and 3

    Answer: (b) 2 and 3 only (Note: This question is from a later period but exemplifies the type of term-based questions UPSC asks, for which terms like ‘Yavana’, ‘Dakshinapatha’, etc., from the summary are relevant.)

  4. With reference to the scholars/litterateurs of ancient India, consider the following statements: (2020)

    1. Panini is associated with Pushyamitra Shunga.
    2. Amarasimha is associated with Harshavardhana.
    3. Kalidasa is associated with Chandra Gupta-II. Which of the statements given above is/are correct? (a) 1 and 2 only (b) 2 and 3 only (c) 3 only (d) 1, 2 and 3

    Answer: (c) 3 only (Note: This question tests knowledge of scholars and their patrons. Ashvaghosha’s association with Kanishka is a similar important fact from the topic summary.)

  5. Which one of the following is not a Harappan site? (2019) (a) Chanhudaro (b) Kot Diji (c) Sohgaura (d) Desalpur

    Answer: (c) Sohgaura (Note: Sohgaura is a Mauryan-era site known for its copper-plate inscription. The question tests the ability to differentiate between archaeological sites of different periods, similar to differentiating between PGW sites and NBPW sites.)

Mains

  1. The rock-cut architecture represents one of the most important sources of our knowledge of early Indian art and history. Discuss. (2020)

    Answer: Rock-cut architecture, prevalent from the Mauryan period onwards, is a crucial historical source. The Barabar caves of Ashoka reveal Mauryan patronage and religious tolerance (patronage of Ajivikas). The caves in the Western Ghats (Karle, Bhaja, Nasik), largely patronized by Satavahana rulers and merchants, provide invaluable insights. Inscriptions within these caves, like the Nasik Prashasti of Gautami Balasri, detail the political achievements of kings like Gautamiputra Satakarni. They also record donations by merchants, guilds, and even foreigners (Yavanas), illustrating the economic prosperity derived from trade and the social structure of the time. The architectural evolution from simple chaityas and viharas to more ornate structures reflects developing artistic skills and religious doctrines (e.g., Mahayana influence). Thus, these structures are not just art but are living records of the political, religious, social, and economic life of early India.

  2. Highlight the Central Asian and Greco-Bactrian elements in the Gandhara art. (2019)

    Answer: The Gandhara school of art, which flourished under the Kushans in the north-western part of the Indian subcontinent, is a prime example of cultural syncretism. It integrated Indian Buddhist themes with Greco-Bactrian and Central Asian artistic styles.

    • Greco-Bactrian (Hellenistic) Elements:
      • Anthropomorphic Buddha: The depiction of Buddha in human form, as opposed to earlier aniconic symbols, is a key feature, likely inspired by Greek traditions of depicting gods.
      • Realistic Portraiture: The facial features of the Buddha and Bodhisattvas are reminiscent of the Greek god Apollo, with wavy hair, sharp noses, and defined facial muscles.
      • Drapery: The style of robes, with their heavy, naturalistic folds, closely follows Greek and Roman sculptural traditions.
    • Central Asian Elements:
      • Some motifs, decorative patterns, and the portrayal of secular figures like donors in Central Asian attire (trousers, boots, pointed caps) show influence from the nomadic cultures of the region, from where the Kushans originated. The result was a unique hybrid art form that narrated Indian stories in a foreign artistic language, catering to the cosmopolitan environment of the Kushan empire.

  3. How did the political and economic conditions of the Post-Mauryan period lead to significant cultural developments? (UPSC CSE Custom Question)

    Answer: The Post-Mauryan period (c. 200 BCE - 300 CE) was marked by political fragmentation in North India and the rise of new empires like the Kushans and Satavahanas. This dynamic environment fostered significant cultural developments.

    • Political Factors: The absence of a single dominant power allowed regional identities to flourish. The influx of foreign rulers like Indo-Greeks, Shakas, and Kushans led to a process of cultural exchange and assimilation. Their patronage of Indian religions (Buddhism by Menander and Kanishka, Bhagavatism by Heliodorus) and languages (Sanskrit by Rudradaman I) created a cosmopolitan culture.
    • Economic Factors: This era was a period of great economic prosperity, driven by flourishing internal trade and, most importantly, external trade with the Roman Empire and China via the Silk Route. This wealth led to:
      1. Urban Growth: Cities like Mathura, Ujjain, and Peshawar became major commercial and cultural hubs.
      2. Patronage: The affluent merchant class (shreshthins) and guilds became major patrons of art and religion, funding the construction of stupas (Sanchi, Bharhut) and rock-cut caves (Karle, Nasik).
      3. Artistic Flourishing: The economic surplus supported the development of major art schools like Gandhara and Mathura, which required significant resources and skilled craftsmanship.
      4. Coinage: The period saw the introduction of sophisticated gold and silver coinage, reflecting the monetization of the economy. Thus, the political decentralization combined with unprecedented economic prosperity created a fertile ground for the rich and diverse cultural developments of the Post-Mauryan era.

  4. The Kushan period was a perfect forerunner of the Gupta golden age. Critically examine. (UPSC CSE Custom Question)

    Answer: The statement that the Kushan period was a perfect forerunner to the Gupta “golden age” is largely accurate. The Kushans laid the political, economic, and cultural foundations upon which the Guptas built their empire.

    • Arguments in Favour (Kushans as Forerunners):
      1. Economic Foundation: The Kushans controlled the Silk Route, leading to a massive influx of gold and a prosperous economy. This economic vitality and the established trade networks were inherited and utilized by the Guptas.
      2. Artistic Legacy: The Gandhara and Mathura schools of art achieved their zenith under the Kushans, establishing the iconographic conventions for Hindu, Buddhist, and Jaina deities that were refined and perfected during the Gupta period (e.g., the Sarnath school).
      3. Literary Precedent: The flourishing of classical Sanskrit began in the post-Mauryan era. The works of Ashvaghosha under Kanishka and the Junagadh inscription of Rudradaman I (the first major Sanskrit inscription) preceded the great literary works of the Gupta period.
      4. Syncretic Culture: The Kushan empire fostered a cosmopolitan and syncretic culture, which promoted tolerance and intellectual exchange, an environment that continued under the Guptas.
    • Counter-arguments (Gupta Uniqueness):
      1. Political Unification: The Guptas achieved a far greater political unification of the Indian heartland (Aryavarta) under a single indigenous dynasty, which the Kushans, being a foreign power based in the northwest, did not.
      2. Brahmanical Revival: The Guptas are particularly noted for the revival and patronage of Brahmanical Hinduism, the performance of Vedic sacrifices, and the consolidation of the Puranic tradition, marking a distinct cultural shift from the predominantly Buddhist patronage of the Kushans.
      3. Scientific Advancements: The Gupta period is unparalleled in its contributions to science and mathematics (Aryabhata, Varahamihira), a domain where the Kushan contribution was less pronounced. In conclusion, while the Guptas had their unique achievements, particularly in political unification and scientific advancement, the Kushan period was undeniably a crucial and formative phase that created the rich economic and cultural substrate for the subsequent Gupta efflorescence.

  5. Analyze the role of coinage and inscriptions in reconstructing the history of the Post-Mauryan period. (UPSC CSE Custom Question)

    Answer: In the absence of a singular, continuous narrative history for the Post-Mauryan period, coinage and inscriptions serve as primary sources of unparalleled importance.

    • Role of Coinage:
      1. Political History: Coins provide the names and titles of rulers, especially for the Indo-Greeks, for whom numismatic evidence is often the only source. The geographical distribution of coins helps determine the extent of kingdoms.
      2. Economic History: The metal used (gold, silver, copper) and its purity indicate the economic health of a kingdom. The extensive high-purity gold coins of the Kushans attest to their wealth from the Silk Route trade. Restruck coins, like those of Nahapana by Gautamiputra Satakarni, provide direct evidence of military victories.
      3. Religious and Cultural History: The deities and symbols on coins (e.g., Shiva on Kushan coins, Lakshmi on Gupta coins) reveal the religious affiliations of the rulers and the prevalent cults. Bilingual legends (Greek/Kharoshthi) on Indo-Greek coins show cultural fusion.
    • Role of Inscriptions:
      1. Official Records: Royal inscriptions like the Junagadh Prashasti of Rudradaman I or the Nasik Prashasti of Gautami Balasri provide detailed accounts of a king’s lineage, military achievements, administrative actions (repair of Sudarshan lake), and personal attributes.
      2. Socio-Religious Information: Votive inscriptions on stupas and caves record donations made by a cross-section of society, from kings and queens to merchants, artisans, and guilds. This sheds light on social structure, the status of different professions, and the popular support for religious sects like Buddhism.
      3. Diplomatic Relations: The Heliodorus pillar inscription at Vidisha is a non-Indian’s record of devotion to an Indian god and is a testament to the diplomatic ties between the Indo-Greeks and the Shungas. Together, coinage and inscriptions provide a robust framework for the political, economic, and cultural history of this complex period, often corroborating or supplementing literary sources.

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